Analysis of music in the film Grease

I think the authority of a melodious flash In comparison to a demand gibe in a non- medicational by and large depends on the target audience of the inject, literary genre of film, and spell of the film. In medicational films c be Grease, Chicago, little Miser competent, West nerve Story, and mummy Ml, the musical theater and choreographed aspects of film work with the fleck In an stiff manner. I come up the similar romantic comedies (egg. Mama Ml and Grease) and dramas (egg. Less Miserable and Chicago) ar the two genres that are best made in to musical films.Musicals are able to break charge language barriers, telling the p sess of he film with strain which evokes potentiometer of emotion that is univers everyy understood. West Side Story is a perfect representative of a musical where stage bound and music helps the audience to bring in the bosh even up though they might not recognize every word of the lyrics. Musicals are able to effectively tell a sto ry if the plot is more(prenominal) simplistic. Contrary to romantic comedies and dramas, play an action or science fabrication film into a musical would be simply ridiculous.If we were to imagine an action film like The sober Knight or Star Wars as a musical, I dont think these films would eve been nearly as successful as they scram been today. matchless reason for this Is the target audience for films Like Star Wars and The Dark Knight have the potential to be vastly varied from the type of people who enjoy honoring musicals like Dream Girls and Rent. The plot for The Dark Knight and Star Wars largely reach from the music being comprised of a film score that is not classified as a musical.It would as well as be unmanageable to convert these genres into a musical because the plots are oftentimes too complex to understand if everything is sung. The scores in non-musicals serves to implement the plot, not to tell the plot which can often be taken more sternly by the viewe rs. Summer Nights (01404) Is the set hit stress In the film, Grease, that gives us an prior look Into what the characters are going to be like. blond Is seen as very innocuous and sweet from the way she recounts her and Dandys summer squelch from an activated perspective- he got friendly dimension my hand.Dandys telling of his summer trance is a little more everlasting(a) and revealing about the physical aspects of the act -she got friendly down in the sandpaper. The bird tune turn upes Danny as he quiet leader of the greaser clan cognise as the T-birds and light-haired as the upstart girl who the schoolgirl clique, The tap spring Ladies, have their substance on to recruit. This song withal introduces the early(a)wise eight main characters (the rest of the T-birds and The Pink Ladies), allowing each of them to ask questions that reveal their characters.The neighboring song that helped to further develop virtually of the characters is Look at Me, Im Sandra De e (02730) which is a comedic song performed by Orzo and The Pink Ladies. A taunting, cardinal tone In the music is gather upd right away. Razzs tough and pencil eraser tone Is established through her lyrics In this song as she is mocking the ingenuousness of blond. When the characters are mocking light-haired softness to Inhale properly while smoking, we detect a clapper Instrument to approval them coughing.The rest of The Pink Ladies French, Marty, and Jan, seem to check their leader, immature and highly compliant to what Orzo wants them to do or think. Hopelessly Devoted To You (03200) is a ballad performed by Sandy which has a slower tempo than the other songs we have previously examined in the film. The song starts off by prattle heavy strings to build an steamy feel then later we heed the indulgent. This is a character song which enables Sandy to express her romantic feelings for Danny, and reflect on their kindred.The chorus, hopelessly devoted to you is how S andy feels towards Danny and these feelings are emphasized by the repetition through the song. Greased Lightning (03720) is performed by Danny and the T-birds and serves to establish the major cultural influences of the sasss cars and rock and graze. We hear 3 stingers using ascending notes contend on brass at the set about of the Eng to compliment Dandys ideas of what the car could be (automatic, systematic, hydromantic).There is also a lot of call and chemical reaction between the protagonist, Danny, singing the main conformation and the T-birds backing him up by providing musical responses to his lines. This song uses heavy percussion, piano, bass, and brass instruments to create a genuine rock and roll feel. The tempo stays consistent throughout the song except when it slows down at the ending chorus. The ending chorus is also where we hear drums and vocals being harmonize. Sandy (011910) reformed by Danny is Dandys counter song to Sandys Hopelessly Devoted To You.This is a lso a ballad as it expresses the deep emotions Danny has for Sandy and shows how vulnerable he is without her. We see a different side of Danny here because he is not acting tough or cool he is being unprocessed and real. This song uses empathetic sound as we can hear Danny on the term of crying at some points in the song which causes the viewer to empathetic with the sadness he feels. Look at Me, Im Sandra Dee (Reprise) (01 31 38) is a turning point for Sandys character.The song tarts out as wholesome and pure, like she is, accompanied by the piano in a high signalize with a light tone (we hear consonance). consequently the lyrics get more powerful on with the intensity of the music (crescendo and lower key on the piano) as she decides to say arrivederci to her innocence. Youre the One That I Want (013647) performed by Danny, Sandy, Pink Ladies, and T-Birds shows how the characters have succumbed to their feelings. Danny has make the man that Sandy wanted him to be all alon g and vice versa.We hear a riff on the piano to introduce the freshly, sophisticated Sandy. The causal consistency between Danny and Sandy is symbolic of the new lay down harmony in their relationship and the all black costumes they are have on is symbolic of both their maturity. This is an example of a rhythm song because it is driven by energetic rhythm patterns. Personally, this is my favorite song of the film because I feel it has the catchiest underlying beat and I felt that the choreography and props were used really effectively to capture the viewers attention. We Go together is a production number which involves the copious cast and expresses the major changes in the plot room the opening to closing act. This blithesome tune is expressive of the happiness found by the entire cast and all the main characters are happily couple off. Grease does include a lot of dancing which I found to be quite effective. It is more visually challenge and helps with the flow of tellin g the story through song. If at some points in the film the characters were Just standing thither kinda than moving around and dancing, the audience is more likely to be dis fastend. Dancing also provides the catchier.Dance is also an important part of notice a characters emotion through unrivalled language in the song Mimi atomic number 18 The One That I Want, Sandy is seen to have a new gained combine and attitude which reflective not unless in her lyrics, but in her dancing as well. I find it effective that performers in musical films treat their song and dance numbers as if there is a live audience watching. It helps to engage the audience more because they feel as though they are more nigh connected to the performers. It also helps the performers find the emotional energy to perform different songs and dance if they have an audiences energy to thrive off of.